Political Theory and the Sublime

Mendelssohn’s Theory of The Sublime

The present research addresses Mendelssohn’s theory of the sublime as one of the significant figures in German rationalist aesthetics. Our research obtains its significance primarily from the fact that there has been no research prior to this about Mendelssohn’s aesthetics in Persian; and secondly that even in the Continental philosophy researchers have often focused on other areas of Mendelsso...

Aesthetic Trinity Theory and the Sublime

The recently developed Aesthetic Trinity Theory (ATT) is concerned with the categorization, description, and empirical analysis of aesthetic experiences of different quality and intensity — especially peak experiences. Its approach is derived from psychological aesthetics and the emerging field of experimental philosophy. A tripartite hierarchy is proposed: Aesthetic awe, as the peak experience...

Quinquennial Terror: Machiavelli’s Understanding of the Political Sublime

This paper argues that far from advocating fear of violence as a continuous source of civic provocation Machiavelli’s ideal ruler employs an aesthetic approach to civic violence; one that actually harms few citizens and moderates their fear with admiration through carefully considered psychological imperatives similar to those articulated two hundred years later in theories of the sublime. Such...

From the Sublime to the Political: Some Historical Notes

the analysis of the role of the speech acts theory in translating and dubbing hollywood films

از محوری ترین اثراتی که یک فیلم سینمایی ایجاد می کند دیالوگ هایی است که هنرپیش گان فیلم میگویند. به زعم یک فیلم ساز, یک شیوه متأثر نمودن مخاطب از اثر منظوره نیروی گفتارهای گوینده, مثل نیروی عاطفی, ترس آور, غم انگیز, هیجان انگیز و غیره, است. این مطالعه به بررسی این مسأله مبادرت کرده است که آیا نیروی فراگفتاری هنرپیش گان به مثابه ی اعمال گفتاری در پنج فیلم هالیوودی در نسخه های دوبله شده باز تولید...